Book Excerpt and Ordering Information


Excerpts from Images of Modern America: The 1964-1965 New York World's Fair
by Bill Cotter and Bill Young
CONTENTS
Acknowledgments 6
Introduction 7
1. General Tour 9
2. International Area 23
3. Industrial Area 39
4. Federal and State Area 55
5. Transportation Area 67
6. Lake Amusement Area 79
7. Night Scenes 87

Seven

NIGHT SCENES

An attraction often overlooked in retrospectives of the 1964-1965 New York World's Fair -- one seen and remembered by millions of fairgoers -- was the magical fairyland of color and light that the fair became after the sun had set.

Imagine 10,000 tons of water shooting as high as 150 feet into the air in ever-shifting patterns while colored lights cast brilliant effects on the water jets. Overhead, fireworks explode in the sky while a 60-piece orchestra plays symphony music by the great masters through speakers hidden in the street lights. There has not been a water and light show since that matches the nightly spectacle of the show at the Fountains of the Planets in the Pool of Industry.

Now, imagine the sight the fairgoers saw as they turned from the fountain to exit the fairgrounds. To the left were the swirling multi-colored lights atop General Electric's elegantly domed pavilion. Slightly ahead and to the left, ever-changing pastel colors glowed from the reflective aluminum panels covering the Electric Utilities's Tower of Light, where a beam of light with an intensity of 105 million 100-watt bulbs shot skyward from the center of the pavilion. Straight ahead, ground-based lighting units shown up into the trees lining the fair's Main Mall, producing highlights and shadows in the foliage. The white-light sprays of the Fountains of the Fair splashed inward into the east and west pools while the silhouette of the Rocket Thrower could be seen against the brilliantly lit Unisphere at the end of the mall. To the right, DuPont's multicolored chemical atoms encircled its red-and-white pavilion. Farther to the right were the illuminated spires of the Mormon pavilion with its golden statue of the angel Moroni trumpeting from the highest spire.

From the decorative street lights to the illuminated flying flags, to the spectacular lighting effects of the Unisphere, lighting and special effects were an important part of the fair. Millions of dollars were spent by the fair and its exhibitors to make the time after dark a memorable experience for the fairgoer.

Images of Modern America: The 1964-1965 New York World's Fair page 87

 

Cables suspended above the roof of the New York State pavilion held bright lights that shown down on the translucent colored panels, transforming the pavilion into a cathedral of stained glass. The roof construction consisted of sets of two fiberglass panels separated by four inches, the top panel, white, the bottom, colored. Light passing through the two panels gave the effect of a roof made of thick glass blocks.

Images of Modern America: The 1964-1965 New York World's Fair page 90


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Book III
ALSO AVAILABLE:

Images of America: The 1964-1965 New York World's Fair the FIRST book of our World's Fair trilogy, is available for purchase at nywf64.com through amazon.com.

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Book I

Images of America: The 1964-1965 New York World's Fair - Creation And Legacy book TWO of our World's Fair trilogy, is available for purchase at nywf64.com through amazon.com.

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  Book II